Vietnamese Traditional Dance

The typical dances in Vietnam change depending on where you go. There are many different genres of music to be heard, but there are only a few specific Vietnamese traditional dances, and these dances play a significant part in the culture of the nation. Until this day, relying on traditions that are still practiced, where culture is significant in music and dance as well as history. Due to its complexity and depth, Vietnamese traditional dance will be examined in the sections that follow. They have a strong focus on theater, are prominent in the music played during ceremonies, and are used in a variety of rites and well-known Vietnamese festivals.

The Vietnamese traditional dance changed over time in accordance with the traditions of each Royal House in its individual mandates, but they were always performed as an offering to the kingdom and to wish prosperity to the country and the royal court. This foundation is being upheld today. The musical genre known as Nhac, which combines traditional music's heritage and culture with a fusion of Western practices, especially when rendered by female vocals, exhibits the impact of the West. Dance preserves the classical ballet of the ancient Hmong and Cham dances, while on holidays the well-known Lion dance appears, which is either performed during the day or at night depending on whether it is seen in the southern or northern region of the country. Dance movements point more than anything to the dynamics and the great variation of styles and movements.

VIETNAMESE CULTURAL DANCES

Dancing is so deeply ingrained in Vietnamese culture that it is shown on the Red River Delta's ancient Dong Son Drums, which date back to 600 BCE. Aside from the traditional dances that each of Vietnam's 54 minority groups possesses, the main Kinh ethnic group has created a number of dance styles throughout the years. All of these factors have contributed to the development of a thriving performance culture in Vietnam, which is distinguished by ostentatious attire, extensive make-up, and Nh Nhac ("elegant" music of the Imperial Court) melodies. Vietnamese traditional dance can be divided into:

Dragon/Lion Dance

A well-known Chinese symbol for strength and wealth is the yellow and red dragon. It has been modified and assimilated into Vietnamese culture and is a frequent appearance at events like company launches as well as Vietnamese holidays like Tet (The Vietnamese New Year) and the Mid-Autumn festival. It often includes martial arts and acrobatics, which fosters a celebratory, joyous mood.

Fan Dance

The fan dance, as the name implies, is performed by 4 or 5 dancers and is thought to have its roots in meadows and open fields. The fan dance is a distinctive art form that is swiftly gaining popularity in nearby nations like China and Korea because it is intended to entertain the audience as the dancers mimic blossoms flowing lightly on the air.

Hat Dance

Like the fan dance, the hat dance is a wonderful cultural expression of synchronicity in Vietnam. As a tribute to the farmers who toil diligently in the fields and supply grain, hat dancers gracefully spin about while exchanging and navigating their big bamboo hats. In order to leave the audience with a lasting impression, the dancers frequently invite volunteers to join them on stage as they close the performance.

Lantern Dance

This one is gorgeous to look at. Occasionally, idols or sculptures are surrounded by lamps, which dancers carry and move between. Children love it, and it is done on New Year's. Following the show, the dancers release their lanterns, which float up into the sky alongside balloons and fireworks to create a breathtaking night time sight.

Xuan Pha Folk Dances Of Ancient Vietnam

The Xuan Pha dances are traditional performances that mark the arrival of five diplomatic missions to commemorate the Emperor of ancient Vietnam's significant military triumph. Researchers claim that Xuan Pha is a dance that plays a significant part in the treasure of national music and holds a wealth of mystical knowledge from the past of the Vietnamese people, including many elements relevant to the country's history.

There are now several requirements for determining the Xuan Pha dance's Vietnamese ancestry. This exhibition debuted during the Dinh dynasty, according to artist Bui Van Hung (Xuan Truong Commune, Tho Xuan District, Thanh Hoa), who has demonstrated remarkable power in preserving and safeguarding the Xuan Pha lineage (968 – 980). According to local lore, Dinh Bo Linh was in route to battle Ngo Xuong Xi, the final of the twelve warlords, at Binh Kieu, Chau Ai (now Thanh Hoa province). They put him in Quan Thanh and dispatched an emissary to pray to the gods for help in defeating the adversary and uniting the nation. The ambassador was on a trip when a storm on the Chu River forced him to seek shelter at the Xuan Pha Temple.

The Vietnamese Lotus Dance

The performers of the Bong Sen Theater in Ho Chi Minh City have planned and presented to the public a unique dance program named "Lotus Dance" in order to showcase the lotus flower's beauty, which is deserving of being regarded as the national flower of Vietnam. The lotus blossom is an emblem of the spiritual and cultural attractiveness of Vietnam, as well as the beauty and purity of Vietnamese women, thanks to its beauty and smell. Due to this, the artistic program is composed of a number of dances that tell stories about this flower using both classic and contemporary creative languages.

Vietnamese Bai Bong Dance

The Vietnamese traditional dance known as "Mua Bai Bong" has been around since the Tran Dynasty. This dance was designed by Tran Quang Khai to be performed at the serene feast day of King Tran Nhan Tong. The other theory, however, holds that Chieu Vuong Tran Nhat Duat is the author of the song Bai dance. Ly Nguyen Cat was taken prisoner by Tran soldiers during the second resistance campaign against the Yuan-Mongol invaders, and she remained to instruct in classical opera. A mother trying to learn was born to the Prince's mother. Classical music has an effect on cotton dance, which symbolizes longevity via moves that depict giving fruit and offering wine. The development of Truc Lam Zen is intertwined with the reunion dance of the Vietnamese soul, which is connected to Buddhist culture.

Mua xoe Dance

Another famous folk dance among the Northwestern Thai ethnic group in northern Vietnam is the mua xoe Tay Bac. It is a special cultural practice for an infant. Spread dancing is often referred to as "Praises" (hand-held dance). All Thais know how to dance and appreciate the widely practiced national art because dance demonstrates a warm, close, and communal unity. Mua xoe Tay Bac is a priceless example of Thai culture that continues to be alive and well today. Another prominent folk dance among the Northwestern Thai ethnic group of northern Vietnam is the Mua xoe Tay Bac. This dance is both an infant and a distinctive cultural practice. Another name for the spread dance is "Praises" (hand-held dance). All Thais are proficient dancers who appreciate the culture's widely practiced art form. Dance symbolizes friendship, intimacy, and a sense of community. Mua xoe Tay Bac is an important part of Thai culture that continues to be popular today.

Mua nhay sap - Famous Bamboo Dance in Vietnam

Nhay sap or mua sap, also known as bamboo dancing, is a dance that is a part of the tradition of all ethnic groups in South-East Asia, including Laos, Thailand, Cambodia, the Philippines, and Borneo Island in Malaysia. In Vietnam, ethnic groups frequently host dances on holidays like the season, the Lunar New Year, or on moonlit evenings (Kho Mu people in Dien Bien).

In reality, several Northwestern tribes in Vietnam engage in bamboo dance, particularly during festivals. This demonstrates that, despite being from any ethnic group, it has a very wide distribution, demonstrating great attractiveness while also having a high community and being simple to popularize. The Kinh people also execute this dance, which draws a sizable audience. The stall dance has been artized since the dancing sessions to commemorate the army and people's victory at Dien Bien (May 1954), and it now appears on several stages and in performances, following the Vietnamese art troupes overseas.

Vietnamese Ballroom Dancing

As we all know, ballroom dancing started in Latin America, but it has since gained popularity around the world, including in Vietnam. Chachacha, tango, and slow foxtrot are typically mentioned while discussing ballroom dancing. Ballroom dancing requires fully developed physical skills like speed, strength, endurance, and flexibility from the trainee. The method of training will also offer you a physique that is balanced, fashionable, and highly attractive.

Street performances are a new trend in Vietnam, in addition to ballroom dancing, and Latin dance should not be disregarded. These Latin dances have their roots in Latin American nations like Brazil, Colombia, Cuba,... It is referred to as hot dances with latin-inspired body motions like the samba, reggaeton, sala, and cha cha. People always feel excited seeing these dances and want to move to the music.